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So something is being read, and you are reading. We are reading and we have lessness. Lessness is something. Are you reading or are you thinking or are you seeing or are you. You may not be seeing. I redream the light machine. Information Theory, rescue the code. Blake is Blake. Broken Dust Of Valley Jaw.

Struggle Yes. Latinate the Arabic arrangements.

the poet proctologist now with more probing prose Manual

Sanskrit is years old:. In my garden. Here slowly, comes my cat. Martyn Johnson compares poetry But I was even more afraid of blood than I was of pain. The very thought of it made me ill. I broke. Panic seized me. My senses failed me, and I began to black out. I had to get away. I had to get out in the fresh air, away from the place where there was blood or talk of blood or the thought of blood.

Since blood represents the essence of life and physical existence, it was more than I could stand. It was the embodiment of what I wanted nothing to do with, of what I struggled to avoid, of what I had repressed and shoved out of my unproblematic and artificially harmonious world. It was inside me, and I lived from it. I myself am blood. Blood was the truth and, faced with the truth, I faded away to nothing. I was vulnerable and so afraid of being wounded because I had not.

Reducing …. All work and no play makes Chris cross. Please de-cross Chris and give her a call. She is 49, slim, and not very tall. My fingers. Honest, fun-loving, affectionate. Sincerity ios important, Auckland 1ft. Caring mother of one, 27, seeks caring, sensitive guy. North Shore d7. Cuddly, easy going, … would like to meet….

Chris Clea-Brown. Sound art — to surprise the world with a fresh take on the world we live in — to let in the sounds we live in and among …to enable a new language…. A card table in the library stands ready to receive the puzzle which keeps never coming. Bursting to speak in the great gibberish. Of solutions, plots, plans -. The dagger stabbed down to mark the spot:. Sometimes the blind black man. Brushes his teeth at midnight.

It ripples outside in the gutter -. In pulses like a heart in a possible wind.

The Poet Proctologist (Now With More Probing Prose)

A jellyfish of red blue yellow breaks up. They smile though, comforted and terrified. This throbbing thing — green eyed. This message of death marching towards us. There has to be a frame, a story, a structure. A frame. In a frame you can be clever. At this point I. Say it was easy. The challenges would go and…. With funny learning tales? Ah, these endless conundrums. Lizards after lizards…. Protect us from the night. Bulb sets tremble. Ecstatic moon,. Then the terrible distance.

The stone silence. The stupid sad silence. The agony. Poor people. The meetings, the touchings:. Can I, a being bright yet dark, unblind. It began somehow, and I. What was the matter with. Could I tell you? The special thing that burns in the eye: they are in conflict.

The usual thing: Dog has set up a conflict, a complex:. T he Joycean, the Miltonic thing: which ever turns you on or out. Calculating time by time and dividing by time.

How To Lose Friends And Alienate People Script

Forever fingers of the living root down to grip. To disappear into the sands. As in Scott of Lammermoor. To disappear. And the vents of fury among the loud mountains:. Why have we not passaged here? We have something to teach, to say. We could treat time. The Great New Stadium of Light to shiver involuntarily —. He loved the dark gutteration of the utterances: the German seeming strangeness. Thus he would talk tutorials passionately of. Wrestle, intolerable, nearly. What can we translate?

What was he talking about? We knew, in a way, even then. I never talked to anyone that year. Scott said that in his essays Smithyman would try to write about everything. What did he mean? I love words. Now It comes: the cacophony, the strikes of sound, clashes and the junga junga…. With Moses the boss away, the characters catorge in ecstasy: nakeds copulate nakeds and savagely they sacrifice: then come The Tablets. Schoenberg must have been getting old. Pillars of Fire — Burning Bushes — better the bad old gods!

Being self. Being self because one is in self. Not, not other self, self. Not being or necessarily being, and not necessarily being self. Or Self. Not not being either, quite: but Being beingly. Being, and self self as in self if self is indeed itself itself as a possibility of fun. But, in any case: self, self. Self because self. And, being. Being being. Somerset Maugham was most adamant:. My Mother's Death. She wasn't ready for Big Bad Death. He came about 10 pm. She was alone. I wasn't. The Universe. She wasn't ready.

And nor will you be you bastard! You wont — she wasn't ready. All I know is my love and how I couldn't —. What wasn't said. The agony of remembering. And your fears, timid terrors — all these disappear and even sex takes a back seat in a world where all things that have grown in a way we can never know from chemical death-birth to this strangely fervid, strangely febrile, feeling matter. Suddenly you are apart even from those Lords of The Erotoforce, the destructive force of Love and Generation: and equally quickly — by the way, eh, you lot!

Yes, you bastards! You there, wake up!

It is I who lurch at the thought of the years of this, my. We celebrate its Huge Life, its flawed, fatal, living Machine:. Yet this five-thing, so unknown, so near dead — is so alive! So alive and so silent beyond accusation or even time itself;. My Child my child — My Child Hand! And this miraculous of you and me — of we who live:. This Thing, this seeming endless moving Thing —.

This living, moving, throbbing — This —. Jacques is sad no: we don't. Jacques is sad and. But, you disbelieved the random sky,. But we have no theories or conclusions who do who do you you think you think we are we are we we are not what you are are we ourselves no are we? But we are in the Silent Museum. We are gingerly, and step around The Things. We are in the spaces.

The places of the spaces. For we love these places place these places We calibrate. We summate. We hesitate. We stop. Death soon! And hones and black. The blue light is futile. They who hover are futile. The saxaphone is futile. That which I write is futile. Futility is futile. There are no countries. There are no lovers.

There are no haters. I have no passion, I'm stuck. I would speak, but the bubble. Of those who would answer, or make. Only silence has any value. Long glanged they, they stared up yes, petrific, against the socket mountain where babbles the old and fiery clouds of steam and blood,. It struggles, but heavy hands hold, Merciless Mercy, who know the pain, and the dark double death twice chopped. Yet, we shrug, and laugh, and dig who would be yes. And then it was he dreamed that he was seized into a gesture, an about to be, and that I stood there, brush or baton or pen in hand: all Time rolling under me in a road of perfect light.

There was nothing I could do - everything was closed: and all men, all women, turned their backs to me. And then terrible the psychotic silence, The Invaginated, the Yellow. All this and these others, hanging there: noosed and cut off like words Crossed out - the strokes of Kings, the curled, the military command. All this, and so much that is speechless.

Could you show us that movie of the palace being blown up in reverse? I say more than that:. What now? Quid novi? Salve Quadis! Is Stick around? I like Stick, he. You need that kind of corroborative. Those days what were black with song, as if the un-. Some times I believe there is a world,. We spun and shuddered in our ecstasy. Upon this bloody stone. Crafting hearts do wait in w Birth From Earth. They have no heads, for it is birth from earth. Silence laughs, and grins, and leers and sneers:. Or so we apperceive But crickets green in coats of gold are busy munching up:.

And girls [ Death. Is as subtle as a billion flies. Use mirror. Check for cracks and pressure test. Double check. Double double check -. I got very angry with it:. Rose, not true my dear one. The world is truncated. Balls of basalt roll about. Death is forbidden. The people wait. They know nothing.

Nobody knows nothing. We wait. The concrete towers shiver. They are waiting. They are hoping:. A tired lady. Puts on her coat. The typewriter. Dies for fingers:. Her hands are cold -. She sees the sun,. Barbed wire, stakes and metal posts can impale or cut a jumping animal. Paul Morey, wildlife manager at Mesa Verde National Park, told the Free Press a good range rider can alleviate some of the problems associated with bad fences.

CPW can respond to help landowners remove animals from fences safely. He finds a lot of animals with a broken legs or a broken pelvis, or dislocated hips. He will assess what kind of injury the animal has sustained and whether or not it can be saved or the meat can be salvaged. One solution is wildlife-friendly fencing, which comes in different designs and sizes, all intended to allow animals to either jump over or crawl under.

There are some key features of wildlife friendly fencing: it should be between 40 and 42 inches tall, with a distance of 12 inches between the top two wires. The bottom wire or rail should be at least 16 inches and preferably 18 above ground. Both the top and bottom wires should be smooth, not barbed. Gates, drop-down sections, or other lower, wildlife-friendly sections should be placed where animals are known to concentrate and cross. Other ways to make fences more wildlife-friendly include making them more visible.

Some landowners tie white or red flagging on the top wire. Another strategy includes using vinyl covered wire for the top strand, or coloring it. These techniques help game fowl such as grouse, or larger birds and raptors like swans, hawks, or eagles, see the fence. Morey was instrumental in getting wildlife-friendly fencing put in at Mesa Verde. They installed a high-tensile fixed, not woven, fence, which is so highly tensile that the gauge wire stretches. Morey said he saw someone drive a vehicle into this fence, which stretched feet, then returned to its normal position without any damage.

About four miles of such fencing has been put up in the park so far, and they plan to install more over the next ten years. To date there are no breaks and we have done no maintenance. Morey has only seen one animal caught in a fence at the park since Elk are such large animals that they can ruin an entire section of fence if a herd is startled and crashes through. Wildlife-friendly fencing therefore prevents not only gruesome death, but also property damage. CPW urges people not to get too close to wild animals.

Use your zoom to take a photo! However, much of his job has to do with maintaining fences. In ,when Mesa Verde was created, there were no fenced boundaries and cattle were allowed to graze in the park. Now approximately 50 to 70 percent of the park is fenced, according to Morey. There are about 80 horses and 12 cattle inside park boundaries. The park is trying to figure out what to do to get them out and keep them out. The park is seeking public commentary on a livestock-removal project. This goes hand in hand with installing the new fencing, so livestock will stay out but wildlife can move back and forth.

Interested citizens can see the plan at the visitor center or online and are encouraged to submit comments. Wildlife-friendly fencing can be expensive. But this initial outlay is offset by the reduction in fence maintenance and animal retrieval, so he believes it is worth the expenditure. Jeff Peterson, wildlife program manager with Colorado Department of Transportation, says CDOT determines whether to install wildlife-friendly fencing after consulting with CPW biologists about population numbers and migration routes of animals killed on highways.

We would rather not install a fence than to prevent those things from occurring. Fencing and other wildlife-mitigation features including motion sensors, wildlife underpasses and overpasses are usually paid for out of the CDOT and federal highways budgets. Ten miles of fence were installed, along with the first wildlife overpasses in Colorado.

After we accomplished that, the landowner, Kremmling, Grand County, and private citizens raised money to add to CDOT and the federal highways budget to complete construction. Once it was completed we saw a 94 percent drop in animals being struck on the highway. Private landowners have several options if they want to build wildlife-friendly fences.

Most local fencing companies offer wildlife-friendly fencing options. The Habitat Partnership Program, funded by CPW through state big-game license revenues, is intended to reduce impacts caused to agriculture by elk, deer, pronghorn and moose. Landowners can apply for help with fencing repair and new construction, including wildlife-friendly fencing. They can also receive support for game damage to haystacks and fences; habitat manipulation such as weed-cutting and spraying; water development usually pond construction or clearing ; research and monitoring; as well as conservation easements and archaeological assessments.

Harper is a member of the Montelores HPP committee, which meets monthly to discuss local projects. Wild animals may not have the opportunity to express offense at being trapped by a fence. But their agonizing deaths surely cause humans some distress. The least we can do is be accountable stewards of the land who build fences that will sustain, not maim, wildlife and livestock.

To report injured wildlife or a problem call the CPW regional office, during office hours, and after hours or on holidays call the Colorado State Patrol at Do not try to remove an injured, living animal yourself. I had one of my most brilliant and most heroic ideas last week immediately after finishing a grueling bike ride. Normally my brilliant and heroic ideas come during grueling bike rides, rather than after. During rides, however, my most genius ideas fly out of my mouth even more often than bugs fly into my mouth. Even I, a seasoned writer, am not skilled enough to slip my notebook out of my coolness-enhancing fanny pack and write them down with any sort of quality penmanship while maintaining momentum in the desired direction.

So when this brilliant and heroic idea struck after my ride, I still did not write it down, because it was an idea I could act upon immediately. I abstained for years for the simple reason that my blood does its best work, generally speaking, inside my body. But here was a sign from the universe. Whatever you believe about signs — heavenly messages or strange auspices or whatever you want to call them — this sign was pretty blatant and impossible to ignore.

It was about three feet high, and it called on me to be a hero. And in case I missed the sign, a woman stood next to it, an angel waiting to ask me — me! My first thought was: It depends. Do heroes ride bicycles?

However, I was still wearing pretty blatantly bicycle-related clothing, and this angel had asked me anyway. I deduced that helmet-haired heroes are still eligible blood donors. My second thought was of the postride smorgasbord awaiting my sandwich bread. Chad spent enough time asking me questions that I burned through my banana and got hungry again. He also now knows more about my personal life than both my parents put together, including my weight and my mailing address. But I had no problem supplying him all the answers. Here, squeeze this piece of foam every five seconds.

Those we picked up at the awards ceremony in Denver on April 20 of this year demonstrate the caliber of work we have in every section of our little newspaper. A story with the complete list of winners is on Page Check them all out. We have been swimming upstream since our inception. But we believe there is an audience out there for something a bit beyond the superficial and fluffy. But, no, Mr. We are in a severe drought.

But we are resilient folk and we have developed many strategies to thrive when the water supplies are low. Whether you are a flower and vegetable gardener, rancher, or just tending a lawn with a semi-wild area, this is the year to invest in good irrigation equipment. It will be important to put water exactly where it is needed — the roots of our vegetables, flowers, and grasses.

Not on the weeds. I am considering upgrading from soaker hoses to drip irrigation to reduce my water use and focus those drips exactly where I want them. There may be additional outdoor watering restrictions, but best practices recommend avoiding watering during the heat of the day.

In addition, good soil care and mulching will be well rewarded this year. After watering, keeping the soil cool and covered will help to minimize water loss to evaporation. It only seems logical after you carefully placed the water at the plant roots to make sure it gets absorbed by the plant, not the dry air.

Since we all share water, each of us can help conserve it. This year every drop counts! Here are a few ideas to consider:. Carolyn Dunmire writes from Cahone, Colo. What follows is a compilation of scribbles on scraps of paper, direct from brain to hand, unfiltered, and somewhat embarrassing in that you now have some insight into the real inner workings of my brain.

Some or so of his pieces grace Colorado walls, water tanks and municipal parks, as well spots in several adjoining states. He grew up in the San Luis Valley. Lived a ranch life. Got bit with the artist bug, and spent some years in Oracle, Ariz. Every spring he attended their ceremonies.

Danced with them. Practiced their traditional rituals … I had the good fortune to meet him through my brother-in-law, Wayne Goin. Artist and poet — two cultural creatives with a bent for indigenous wisdom … He and his wife Teresa lived in a sprawling log-cabin studio perched on a bench above No Name Creek outside Glenwood Springs. But no one was home … Then a week later I got a message that he was gravely ill again. I took my son to the Democratic Assembly in Broomfield before visiting my daughter Sara and her boyfriend Dylan in Steamboat Springs, where the two had gotten work for the winter as ski instructors.

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On the way to the Front Range, while my son slept in the car, I visited with Lightning Heart … Teresa ushered me into the bedroom, where he was lying, stretched out, resting. His face lit up with those scintillating sparks of Haberlein good humor when he saw me, and we spoke of various blessings a word he kept using.

We told some stories. Hugged Teresa and her sister Lucy. Kissed Lightning Heart on the hand … He died the next day. The name came from a pre-settlement Native Californian religious cult prevalent throughout Central California. I had a letter published in it, and I treasured every issue … Pendell went on to write an apothecary trilogy on plants, poisons and herbal craft, as well as philosophical treatises and poetry. I met him at an entheogenic conference in San Jose a dozen years ago. He was one of the literary honchos of the foothills of the Sierras, where many a Bay Area poet landed … He passed away in Santa Cruz, where he ended up.

He was one of those strong California mountain poets. And he said many of his American University students were there to hear speaker after speaker call for federal action to limit easy access to weapons of mass murder … Similarly, my oldest daughter in San Francisco, Iris — and her partner Bert and my granddaughter Aurora Willow Fan — all marched on the West Coast in solidarity with my youngest on the East Coast … As a rural citizen, I understand and support the reasonable right to bear arms.

But increasing limitations on some guns — as already occurs with automatic weapons — seems justified. Even limitations on ownership in urban settings, or for individuals with mental-health problems, may be necessary … I think Governor Hickenlooper was right on a recent CPR interview to suggest that politicians ignore the youth of this nation on this issue at their own peril. Call Ah Haa to reserve a place, But today, everything we see from the smallest life forms on Earth to the largest stellar objects is made almost entirely of matter.

Comparatively, there is not much antimatter to be found. Something must have happened to tip the balance. So how did we get this matter antimatter asymmetry, theoretical physicists ask? If everything balanced, matter and anti-matter would have canceled themselves out. But as it is, we exist. Matter exists. The rat has done all the work and I could benefit without all the labor — kind of reminds me of something else, but I digress. Today, we pay and pay to produce a future problem, or maybe an archaeological gold mine. So where do the trees fit in? Well, the forest is full of dead and dying trees trash that we either leave lying around rotting, waiting for a wildfire to make a LOT of smoke, or pay someone to pile some of it, so we can pay the Forest Service to pay their fire crews to pay for fuel and fire equipment to go burn the pile or do broadcast burns they call it prescribed fire these days to make lots of smoke so we can pay the doctors in the emergency room and the pharmacist at the drug store for breathing and allergy treatments and medications.

We do get to write letters complaining about air quality, though that is probably not really a beneficial aspect of the smoke problems. We pay and pay for no real value return here either. So what is my point? We have become a lazy, trashy society that expects someone else to be responsible for the mess we make or allow to be made. Some say we have to save it by leaving it alone — to die and burn?

Our local landfill receives over 24, TONS per year, which is 68 tons every day. Our local landfill cup of blessings will be running over in years with no place to go, what then? Is there a solution? Yep, flip the switch and turn on the juice! Third, a state mandate to buy 30 percent of our electricity from renewable sources by SO, take ALL our problem trash and use it to turn on the juice. They all surpass EPA air standards and are mostly privately owned and operated for profit. There are many other power plants that use waste products for producing gases and oils to run the boilers, including methane from old landfills.

There are plants that are converting most plastics back into their original oil form for various repurposed oil products and uses. Emergency management personnel recognize that in our area the greatest disaster would be one that compromised the electric grid to our area for any length of time, and many feel this is a very real possibility. A well-designed power plant to use the trash and forest wastes as fuel would have a multiplicity of benefits such as employment, economic returns, power source for local distribution, emergency stable power source, reducing forest wildfire fuels, and reducing landfill impacts, just to mention a few.

Another possibility could be that this would make it feasible to capture the methane from drilling that is now flared off, and feed it into the fuel line for the plant. The plants that are in operation all subscribe to the multipurpose concept and one concept that could work here could be to use the heat and gases from the boilers to run large vegetative greenhouses. Combustion produces lots of water and CO2, both of which are needed in greenhouse operations. In case you are wondering, this is not a new idea at all, much of Europe and the Far East have been doing similar things for years.

Dexter Gill is a retired forest manager who worked for private industry, three Western state forestry agencies, and the Navajo Nation forestry department. He writes from Lewis, Colo. Our story this afternoon is titled Good Guns, Bad Guns. He keeps it in a secret place.

The picture she shows the class depicts a bedroom, a bed, and a table beside the bed with a pistol inside an open drawer. Sometimes she keeps it in her desk drawer. The page reveals a classroom picture, with students at their desks. A teacher stands at the blackboard spelling out the word G — U — N in precise capital letters. An American flag hangs beside the classroom door. This teacher carries a concealed weapon.

Concealed means the gun is hidden, or difficult to see. Any more questions? She rotates the book so her students can view the picture of a school cafeteria. Excited children stand in line to collect their lunches. The cook smiles as she serves each meal, a gun holstered at her waist.

The principal makes sure nobody cuts in line. He too wears a gun. A rifle stands on the cart right beside a broom. Nobody notices the rifle mimicking the broom. The word is actually concealed, which means the gun is difficult to see. It might be impossible to count them all, especially if some are hidden. She shows the class a picture of an open locker with the barrel of a bright red gun poking menacingly out of a backpack.

She stands and walks among the seated children so they are able to carefully study the picture. The students hurry out of the classroom. Miss Aimee closes the book and sits down behind her desk. She reviews her lesson plan. Something must be very wrong with the narrative. One of the best—or worst—examples of this is the declining confidence in scientific reports. Questioning what we hear and desiring change are natural responses to a complex and uncertain world, but these impulses can sometimes carry us too far. One myth of expertise is that it is similar to intelligence.

Certainly, intelligence is related to expertise in that intelligent people may be able to acquire expertise more easily; but what really matters is the expertise, not the smarts. The late great cosmologist Stephen Hawking was extremely intelligent — able to solve physics problems in a fraction of the time it took his fellow students.

But he was a self-admitted goof-off until he was diagnosed with ALS and decided to work hard to acquire the expertise he needed to make a contribution to his chosen field while he was able. It is easy to be suspicious of expertise because expertise is not easy to describe to others. It often takes years if not decades or a lifetime to develop.

We can only imagine what is needed to be an effective mediator in Middle East conflicts or an accomplished neurosurgeon. There is a reason we use the metaphor of deep or shallow knowledge because expertise lies below the surface unseen and can reach great depths. For that reason, our own knowledge can easily be overestimated even about everyday objects. When one group of psychology undergraduates were shown a drawing of a bicycle and asked to add the chain and the pedals so that it would work, only about half did it correctly. We may know basically how a bicycle works or do we?

That knowledge is passed along as education and training to novices, who may add their own experience to the bank of expertise. We may think of expertise as something held by an individual, but much of it is actually a valuable collective resource. Part of the resistance to valuing expertise may be that we balk at elevating experts above the rest of us, as well we should. Being an expert software engineer does not make you a better person.

Just because you are an expert in one domain does not mean you are better able to handle other domains. Advertising sometimes conveys the impression that if someone is successful in the sports world they would surely know a lot about cars, or home cleaning products, or pharmaceuticals. This is important and valuable in motivating us to ask questions of those who tell us what to do or how things work. This is what we might call due diligence or healthy skepticism. Good physicians are not threatened if a patient wants to get a second opinion about a recommended therapy. Of course, the answer is obvious, when we put the questions like this.

Few would argue that we get a fresh perspective on bridge-building and ignore the experts. Know-nothings are vulnerable to baseless assumptions, widely-rejected beliefs, ignoring the evidence, being quick to dismiss traditional wisdom, and excessive confidence that they can make better decisions because they are smart, no matter how complex the problem they are facing. Great decision-makers are made from years of developing expertise, not born. Opinions expressed her are their own and do not represent those of the university. A previous version of this editorial was published in the Moab Times-Independent on April Just people cast ballots.

Wright — About that focus. The s find Johnny out and happily partnered with Patrick. He is now both a successful artist and, improbably, the father of Lucy, whose lesbian mother Francesca is a wealthy daughter of the old Cranley Gardens set. Here Hollinghurst deftly illustrates the evolving but, at many levels, still hidebound social strata through which young Lucy — with her two mothers and her six grandparents — glides easily while the aged but still-infamous David Sparsholt, seen during a rare visit to London, is fated forever to struggle.

Johnny is widowed now, and Lucy about to be married. Consider this passage, in which Lucy accompanies Johnny back to Cranley Gardens to help the aged Dax dispose of his art collection:. As they climbed they passed large dim oblongs, huge hooks, black drapery of cobwebs where pictures must have hung for a very long time. The pictures left hanging, perhaps not worth selling, looked hopeless without them. If you value elegant writing, compelling characters, and incisive social commentary, then by all means, add Alan Hollinghurst to your short list of must-read authors.

You can visit him at www. The interview took place on April 20, , and was done as research for an article appearing in the May issue of the Four Corners Free Press. It has been edited slightly for clarity, and two minor errors in transcription have been fixed.

Z: The litigation with the Navajo Nation is entering its sixth year. If the appeal fails then that will become the next question whether those are awarded or not.

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Do you still feel that way, and if so how would that interact with the consent decree? Is the county able to go back to at-large voting? So yeah, we can do what we want to do. Is that your understanding as well? We had to propose districts that met the demand of the Navajo Nation and the federal court. There was a lot of external input into those things. You know the county accepted the precincts. I am in contempt.

Do you think Bears Ears was a motivating factor in the beginning of that suit in ? I know the designs of these groups and so do you. Bob Bennett did it. As soon as Bob Bennett was done Rob Bishop picked up the torch. We rejected it on the front. P: Yeah it was an NCA that they were seeking. That was before Josh Ewing showed up. It was before Gavin [Noyes] showed up. I know he gave money to High Country News and he bought them out so they run stories that David Bonderman appreciates and Yvon Chouinard. It was all environmental groups? Z: You seem to be suggesting that the voting rights case was entirely driven by environmental groups, not Navajo constituents in the county that felt disenfranchised.

They have been disenfranchised. They were put on a reservation. Their sheep herds were controlled and kept down. They were driven off their allotments north of the San Juan River. The important distinction there is that all of that was done by the federal government. None of that was done by San Juan County. And the governor of Utah protested. The congressmen protested. And it was the people of San Juan County, the council of nine, that said, no this is the right thing to do.

And when the BLM came in and drove the Navajos and their sheep into the river and off the north end, it was done at the protest of their friends who lived in Bluff, their neighbors, the white settlers, the Navajo settlers, the Ute settlers. Anyway, everything that San Juan County is criticized for and why people say we need the federal government to take over has all been done by the federal government. Would that come out of the general fund? Z: What happens if the general fund runs out? P: Deeply, deeply concerned about that.

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The vexatious lawsuits, you know, a group of people, Yvon Chouinard decides to go bankrupt a small county like San Juan County. Steven Boos should be ashamed of himself. Robert Shelby should be ashamed of himself. If the media knew the difference we might have a fighting chance.

The Navajo Nation can. And the federal courts can. Even ratifying what Judge Shelby sent down is in my estimation way outside the legal boundaries of county government. We cannot make racially motivated districts in San Juan County. Article 5 or whatever those are. And they just keep working at it. They requested it long before it was mandatory. But just because a lie is successful does not make it the truth. San Juan County has not districted themselves.

The federal government districted San Juan County and they mandated the districts and when the population changed in , we moved Ucolo and Cedar Point into my district and it balanced things out. The county took into consideration. We have not violated any laws. P: [pause] Um, you know, sometimes you do the right thing and deal with the consequences as they come.

We were the highest taxed county in the state. The general fund was shrinking dramatically. I reversed that and changed that around. Our general fund is way up. And this is why the taxpayers of San Juan County pay taxes, so the government will protect their individual rights. The county may lack the resources and hopefully the state does not lack the resources. Voting is done under the Lt. Counties do not have any authority in and of themselves other than what they receive as a sub-unit of the state of Utah.

When they fail to step forward and defend their rights, their interests, and their citizens, you know, bad things happen. Either those rights are lost or the ones fighting for them go bankrupt doing it, personally and county-wise. I detest these people. I detest these groups. This is the first in a series of occasional articles related to weeds and weed management.

Finally, spring is here and many of us are digging into the dirt — ready to plant things we hope to see grow and bloom. What is a weed anyway? A plant whose virtues have not yet been discovered. Author Katrina Blair, who argues that weeds can serve useful purposes, gives a presentation at the Cortez Public Library on March Photo by Janelli Miller. During her presentation participants were treated to flax-seed crackers with dandelion pesto, dandelion apple juice, herbal chocolates and macaroons — all made with raw ingredients containing plants we think of as weeds.

Blair recommends that anyone interested in plants first learn the ones that are poisonous. There are not many, and most are easily identified. Blair believes our connection with plants is important. But most people think of weeds as something to get rid of, not eat. This includes educating landowners about weeds and their impact, along with plant identification and information about different types of eradication plans.

The state of Colorado has a Noxious Weed program as well as a Weed Free Forage program, which inspects forage and mulch for weeds. It also recommends Certified Weed Free Companies selling wheat straw, alfalfa, grass, and other types of forage and mulch. Locally, Southwest Seed in Dolores offers one of the widest varieties of weed-free products, including mutton grass, Indian rice grass, arriba Western wheat, blue gramma grass, side oats, and gramma. The usual strategies for weed management at the state and county levels are first to educate the public about what plants are considered weeds, then help landowners identify and eradicate them.

The act made it unlawful to intentionally introduce, cultivate or sell noxious weeds, and directs counties and municipalities to implement weed management plans, with county management plans designed and administered by local county commissions. As a part of this regulation, certain plants have been categorized into three lists. List A plants are designated for elimination on all county, state, federal and private lands.

List B includes plants whose continued spread should be stopped, and List C plants are selected for recommended control methods. All plants on these lists are mandated to be controlled under the Noxious Weed Act; however, not all of these plants are present in all parts of Colorado. Blair is an advocate for changing the way people think about weeds.

She is in agreement with weed management programs that encourage people to be stewards of the land and to take responsibility for the impact of their actions upon the environment. It is our responsibility as land stewards to help the land regain stability. Blair believes plants teach us how to live and become masters of our health. She notes that her experience in observing and ingesting plants for more than 30 years has given her a different point of view about so-called weeds. Blair said the attitude of appreciation is joyful, while the attitude of eradication is angry.

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Instead, she believes weeds are the solution. They help the land reclaim itself from human disturbance. She said applying herbicides continues to disrupt the soil ecology and mycology and furthers disturbance, which in turn encourages more weeds to grow. We observe this pattern by noticing that the amount of herbicides being sprayed each year across the county has been increasing, not decreasing.

The common practice of driving ATVs on the land to spray weeds causes further disturbance by compacting the soil, and the plants that are growing to help regenerate the land are killed back for a season. Blair said weeds actually contribute to soil fertility and stability. These plants make fantastic mulch, especially if you can pull them before they flower. Blair supports weed mitigation, explaining that many of the plants can be used as medicine and are also quite nutritious when eaten.

Although the plants in her book are not on the state ABC lists, except for thistle, she said some of the listed plants are useful. Others that have historical medicinal or food use include chicory, burdock, chamomile, and sage. She is currently working with Bee Happy Lands doing weed mitigation managing acres around Electra Lake, acres in the Telluride Valley Floor, as well as with homeowner associations and other private landowners.

Our method is aiming for the long-term solution. Landowners will see an immediate change from our work because we remove the big patches of noticeable weeds. Even though the weeds return the following year, they will diminish greatly in two or three years. The Montezuma County Weed Program lists several weed-control methods besides spraying, including biological controls usually insects ; cultural controls such as cultivation cutting through and turning over the soil , re-seeding, fertilizing and irrigating; livestock overgrazing, mowing and cutting, prescribed burning and pulling.

The county also has a no-spray agreement that landowners can sign and submit to petition the county to refrain from spraying herbicides on their land. The landowners must indicate their methods of control and are provided with the plant lists and legal obligations for weed eradication. Blair speaks of weeds as guides. Weeds act as midwives in the very beginning — they provide shade and protection.

Blair has devoted her life to her cause She is happy to explain her point of view and share her wild foods. Next time you are in the yard, instead of cursing at that dandelion as you strain to pull its deep root, or helplessly watch millions of its tiny seeds scatter across your lawn, stop, take a breath and consider this. If you ate that dandelion it would keep you alive, providing all the nutrients you need to survive — at no cost!

Read the second article in the series: War of the Weeds. As a curious person who likes to keep up with trends, I have been reading about the blockchain. We are privileged to live in a community that has the resources, infrastructure, and markets to support a thriving and diverse local-food economy, built on trust and mutual benefit. We are neighbors with farmers and ranchers of all shapes and sizes.

We reside next to and sometimes within the infrastructure that supports an ag economy. Wow, what a way for the storyteller to start that story! I have found in my teaching at the Writers Studio, a writing school where they place special emphasis on this to impressive effect, is that a big early challenge one of many! For some, a strong, clear narrative voice and style seems to come so easily, as if they were simply built to do it—and the rest of us writers stand gaping enviably amazed by the mystery in that miracle of creation: how did she write that so easily!?

I was absolutely knocked out of my chair by the voice. Was that voice easy for you? Did that come naturally somehow? I do like to say "voice" or "unique voice and style" as shorthand for the mystery of that conscious creation. I like the phrase "narrative stance" but it rings a bit technical to me, like one of those phrases that doesn't appreciate how much goes into the work and the deeper mysteries involved—and by mysteries I mean all that we as writers don't understand about what it takes.

For The Good Mother of Marseille , honestly the voice and style was a tremendous amount of hard work. I went through multiple rounds of full rework with an incredibly insightful and patient! And I made some early decisions: this storyteller would know this world, the beauty and grime and vigor of it, and would know well everything about these characters. The storyteller would know some French!

Would be able to translate and interpret for the reader what's being said and unsaid. And, this storyteller would subtly shapeshift: allowing for the voice and style to be subtly or not-so-subtly different across character points of view and the storytelling aim of a scene.

Rail: Oh, boy. I could get into a long explanation of the voice in Riding in Cars with Boys , but this is about you and your book, not me and mine. So, I'll restrain myself and only say: The voice came fairly naturally, with a little spicing up that came from imitating a friend, who was much more outrageous than I. Still, the voice was definitely improved by my reading the sentences and paragraphs and pages aloud, and editing for cadence and rhythm.

Speaking of cadence and rhythm: There is an incantatory quality to your narrative voice. You often repeat words and phrases, which gives the prose a quality of both inquiry and certainty. I find this remarkable. Even a little magical. Was the repeating intentional? Shade: I'm moved to hear you describe it this way. I have always been circular in my writing, and I think there are signs of this even down at the sentence level, even down at the word I choose to follow a word.

By circular I mean the repetition, I mean for readers to come back again and again to things they have experienced earlier in the story. We recognize the familiar; we appreciate it, we want more of it. So I think the short answer is that the repetition I do is a way of trying to imitate our own real, larger, circular lives. And at this point I'm not even aware of when I do it, except in revision—in revision, I may see repetition and try to smooth it out to be more subtle.

As for cadence and rhythm, like you said you did for Riding in Cars with Boys , I also read paragraphs and pages aloud. There is really so much more to say about repetition and choices in cadence and rhythm, about what experiences in life lead a person or do not lead a person to a heightened level of awareness of these.

I mean, when is it repetition in life, when is it routine, when is it ritual? And what of these distinctions? I'm thinking of the Catholic services of my boyhood—very much a celebration of repetition! And holidays: Thanksgiving dinner. Family traditions. Allowed to open one gift—only one! And recipes: the "family recipe" for banana bread. And hiking the same mountain again and again: Mount Cheaha, the highest point in Alabama.

Maybe the reason a person wants to repeat things in life is for the assurance that he is this person because he does these things; he does these things, therefore he is this person. Each time he repeats, he affirms again something about himself, a part of who he is in his own eyes. Rail: The details, Christopher, the details! As a fellow writing teacher, I consider the last part of your answer—where you paint for us wonderful pictures using distinct details—gold.

Thank you. Now, I have just one more question for you. There is a sketch done by a street artist, Monsieur Rousse, that appears in several of your stories. The sketch depicts a moment in my favorite chapter, in which a character named Russ turns his back on love, literally flees from it. This sketch appears in several chapters and prominently in the last chapter. Can you speak about the significance of this sketch?

Shade: That's a wonderful question—that sketch makes appearances throughout and all the way to the last chapter. Art seems to be everywhere in this book! There's an early scene in which paintings of old Marseille, maritime scenes, and Mediterranean ports bring out emotions for an older couple from Alabama. They have to sit down and cry. There's another special moment, much later, when Corey discusses a Matta painting named, simply, Alabama , concerning civil rights. Artwork is discussed and encountered many times.

But the sketch by Monsieur Rousse has special emphasis. I have painted all my life, and have had such appreciation for art of all kinds. During my twenties in Alabama, I was very inspired by the work of outsider artists, and one of these was Bill Traylor. Born into slavery, Traylor was emancipated and died in Montgomery in the late '40s. I understand that it was late in life that he began to draw. And I understand that he would sit in doorways in downtown Montgomery and sketch on whatever pieces of paper blew by in the breeze. He drew on those scraps of paper vaguely primitive shapes of animals and people.

A man wearing a tophat. Dogs and horses. Two dogs circling. People on the streets.